Why Does Bravo TV Engage Viewers? Senior VP Tells Us
By Tom Chandler on Aug 27, 2008 in Engagement Marketing | 0 Comments
When I posted about Bravo TV’s engagement-rich Web site, my request for an interview went unanswered, so a few questions went unanswered.
Fortunately, some of my questions were answered in a DM News interview with Bravo’s Lisa Hsia - Senior VP of new media, Bravo.
It was a short interview (and worth a couple minutes of your time). Two key questions revolved around emerging technology and the value Bravo TV places on engagement:
Q: What strategy does Bravo take with emerging technology?
A: The way I look at it, we’re not only an entertainment company, we’re in the engagement business. We’re increasingly having success monetizing engagement. For the Project Runway mobile fan club, we had 92% participation while normal engagement is 1%–2%. We also did voting with cable remotes [for Top Chef] with Time Warner and Dish Network. With Time Warner, we had 26% participation. In the beginning it was just an experiment. Now, sponsors come on board because they want the engagement our users have.
Q: How does this engagement add value for advertisers?A: With Bravo’s Info Frame [an interactive panel allowing viewers to participate in polls, games and chats during programming], the consumer is interacting during the program as well as during the commercials themselves. The advertisers can also interact and, presumably, if they’re engaging during the program, they’re going to engage during advertisements.
The numbers repeated in the first answer would make any marketing exec (or ad salesman) sit up a little straighter.
Yet the second answer (How does this engagement add value for advertisers?) is conspicuous mostly for its lack of numbers.
At this point, engagement is hard to quantify, which is why so many organizations are standing on the sidelines.
While I had criticisms of Bravo TV’s site (it’s confusing and hard to navigate), you have to applaud them for taking risks - and enjoying the payoffs.
Stay engaged, Tom Chandler
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